Lya Badgley

I am captivated by the intricate designs of medieval illuminated manuscripts and the vibrant patterns of Burmese tapestries. These art forms, though rooted in different cultures, reveal striking similarities in their symbolic depth and meticulous craftsmanship. As an author, I find inspiration in these connections, weaving narratives that bridge past and present, East and West. By exploring the shared artistic traditions across cultures, I uncover new layers of meaning, allowing these ancient influences to enrich and shape my storytelling.

Sarajevo Haggadah

Several years ago I read People of the Book, by Geraldine Brooks. This bestselling historical fiction novel follows the Sarajevo Haggadah, a rare Sephardic codex, through centuries of exile and war.

During a research visit to Sarajevo, Bosnia, for my next book, (that will also feature the Haggadah) I was very lucky to have a guide who allowed me an up close and personal experience with this miraculous manuscript from 1350’s Spain.

Kalagas are traditional Burmese tapestries known for their intricate embroidery and detailed craftsmanship. These textiles are typically made from silk or velvet and adorned with a combination of gold and silver threads, sequins, beads, and sometimes even small mirrors. The designs often depict scenes from Buddhist mythology, royal ceremonies, or local folklore, rendered in vibrant colors and elaborate patterns. Historically, these tapestries were used to decorate palaces and temples, and they remain a cherished art form in Myanmar, reflecting the country’s rich cultural heritage.