Amid the packing and planning, I’ve been sorting through old boxes—journals, photographs, fragments of memory, pieces of a life lived across places and years.
I spent much of the ’80s in bands, a thread I hadn’t followed in some time, and one I now find myself returning to as I set my next book in 1983 Seattle.
The early stages of a new book feel less like invention and more like excavation. There’s something both grounding and unsettling about revisiting earlier versions of ourselves—seeing what has endured, what has shifted, and what still waits to be understood.